Course 2 begins: -malı in every form, gerek and lazım in every tense, zorunda and mecbur — and why “mustn’t” is not “don’t have to”; Kerem’s first day at an architecture office, and Mimar Sinan, who called the Süleymaniye his journeyman piece.
1-malı: “must” in one ending
Welcome back — and welcome to Course 2. In the first course you learnt almost all of Turkish’s groundwork: the tenses, the cases, a verb working as a noun. This one has more to read, longer texts and more grown-up conversations. And new people: an architecture office in İstanbul that restores old houses. It’s run by Zehra Hanım, and today is Kerem’s first day there. Ayşe and Can haven’t gone anywhere; they’ll drop by.
From now on the grammar comes whole — every form at once, with its Turkish name, and where people say it and where they write it. We’ll start with what you hear most on a new job: what you must do. English needs a separate word, “must”. Turkish makes do with an ending — -malı, or -meli after e, i, ö, ü, by the two teams, like Lesson 1’s -lar / -ler. You add it to the verb’s stem:
gel → gelmeli— come → must come
yap → yapmalı— do → must do
And who exactly must is told by the same person ending as Lesson 1’s öğretmenim: -malı behaves like a noun. Before a vowel, a y steps in, as in hastayım:
Stem, -meli, a joining y, -im — “I must come”.
gelmeliyim, gelmelisin, gelmeli— I must, you must, he must come
gelmeliyiz, gelmelisiniz, gelmeliler— we, you, they must come
Bugün erken yatmalıyım.— I must get to bed early tonight.
Bu kitabı mutlaka okumalısın.— You really must read this book.
Türkçeyi iyi konuşmak için her gün pratik yapmalısınız.— To speak Turkish well, you must practise every day.
Its name is gereklilik kipi, “the mood of necessity”. It sounds like a textbook, but what it means is what you yourself think is right: duty, advice, a rule. Bu kitabı okumalısın isn’t an order — it’s “trust me, read it”. That’s why -malı is the favourite of people giving advice, doctors and senior colleagues.
2Mustn’t, and must I? -mamalı and -malı mı
The negative sits where it always sits — straight after the stem: gel-me-meli. Two mes in a row, each with its own job, as in Lesson 22’s gitmemem lazım: the first is “not”, the second is the start of “must”.
Stem, -me “not”, -meli, y, -im — “I mustn’t go”.
Geç kalmamalıyım.— I mustn’t be late.
Toplantıda telefona bakmamalısın.— You shouldn’t look at your phone in a meeting.
Bu suyu içmemeliyiz.— We mustn’t drink this water.
The question puts mı, written apart, before the person, as Lesson 5 did with -yor: geliyor musun — gelmeli misin. It’s the most common question of anyone’s first day at work:
Ne yapmalıyım?— What should I do?
gelmeli miyim, gelmeli misin, gelmeli mi— must I come? must you? must he?
gelmeli miyiz, gelmeli misiniz, gelmeliler mi— must we come? must you? must they?
Bu formu bugün doldurmalı mıyım?— Do I have to fill in this form today?
Ayakkabılarımı çıkarmalı mıyım?— Should I take my shoes off?
There’s a negative question too — gelmemeli miyim, “shouldn’t I come, then?” — but it’s rare and has a note of reproach. Ona söylememeli miyiz? — “maybe we shouldn’t tell him?”
And one form for writing. On signs, in rules and instructions the third person takes Lesson 23’s -dır — the very one on shop doors: -malıdır. And to talk about people in general, Turkish uses insan, “a person”:
Ziyaretçiler baret takmalıdır.— Visitors must wear a hard hat.
İnsan dürüst olmalı.— You should be honest.
3Olmalı and -malıydı: “must be” and “should have”
-malı has a second job, and English gives it the same word: “must”. “He must be home by now” isn’t a duty, it’s a guess. Turkish works the same way, most often with olmak:
Saat yedi. Zehra Hanım şantiyede olmalı.— It’s seven. Zehra Hanım must be at the site.
Çok yorgun olmalısın.— You must be really tired.
Bu ev çok eski olmalı.— This house must be very old.
And to say something should have been done — and wasn’t — add -(y)dı, Lesson 13’s past for nouns: -malı is one, after all. What you get is regret, or reproach:
Daha erken çıkmalıydık.— We should have left earlier.
Bana söylemeliydin!— You should have told me!
4Gerek and lazım in every tense
In Lesson 22 you learnt to say “need to” without an ending: Erken kalkmak lazım — everyone needs to, Erken kalkmam lazım — I need to, and Gelmene gerek yok — you don’t need to. All of that stays. The difference from -malı is small, but it’s there: -malı is “it’s right, I’d advise it”, gerek and lazım are “the job needs it”. Erken kalkmalıyım — I’ve decided to; Erken kalkmam lazım — I’ve got a train.
What’s new today is tense. Lazım has no verb of its own, but gerek does, gerekmek, and it takes any tense. The person is still carried by -ma with a possessive: gelmem, gelmen:
Yarın erken gelmem gerekiyor.— I need to come in early tomorrow.
Bu işi bugün bitirmemiz gerekmiyor.— We don’t need to finish this today.
Toplantı için bir sunum hazırlamamız gerekecek.— We’ll need to prepare a presentation for the meeting.
Dün gece geç saate kadar çalışmam gerekti.— Last night I had to work till late.
Bu belgeye imza gerekir.— This document needs a signature.
Gerekir is Lesson 21’s aorist, the tense of rules: this is how it always is. Lazım borrows its tenses from -(y)dı and olmak: lazımdı, lazım olacak. “No need” with it is lazım değil, or, more often, gerek yok:
Dün sabah erken kalkmam lazımdı, ama kalkamadım.— Yesterday I needed to get up early, but I couldn’t.
İmza lazım değil, gerek yok.— No signature needed — no need.
5Zorunda and mecbur: have to, forced to
-malı is what you yourself think is right. When there’s no choice — a rule, the boss, the bus didn’t come — Turkish says zorunda. Inside it is zor, Lesson 21’s “hard”, and TDK’s dictionary gives it a sense of “compulsion” too. Gitmek zorunda is “in the compulsion of going”. The person follows it, as after any noun:
Pazartesi şantiyeye gitmek zorundayım.— On Monday I have to go to the site.
Her gün baret takmak zorundayız.— We have to wear hard hats every day.
Now the lesson’s main trap — and English has it too. Gitmemelisin is “you mustn’t go”. Gitmek zorunda değilsin is “you don’t have to go”: go if you like. English keeps them apart as “mustn’t” and “don’t have to”, and learners still swap them; Turkish never does:
Gitmemelisin. — Gitmek zorunda değilsin.— You mustn’t go. — You don’t have to go.
The past comes in two kinds. Zorundaydım is “I had to” — that was the rule. Zorunda kaldım is “I ended up having to” — that’s how things turned out; kalmak here is “to end up”:
Dün akşam geç saate kadar çalışmak zorundaydım.— Last night I had to work till late.
Otobüs gelmedi, yürümek zorunda kaldık.— The bus didn’t come, so we ended up walking.
Mecbur means the same, only the word is Arabic, and the action before it goes into the dative, as before Lesson 22’s başlamak: gitmeye mecburum. TDK’s example is … atmaya mecburuz, “we are bound to…”. It’s good in short answers too: Mecbur değilsin, “you don’t have to”, and Mecburen, “because I have to, nothing for it”.
Gitmeye mecburum.— I’m obliged to go.
Beklemeye mecbur kaldık.— We had no choice but to wait.
And one last form, for reading rather than talking. Laws, contracts and notices write -mak mecburiyetindedir — mecburiyet, “obligation”, with a possessive and the locative. Recognise it; don’t say it over tea:
Ziyaretçiler kurallara uymak mecburiyetindedir.— Visitors are required to comply with the rules.
6Which one: -malı, gerek or zorunda
One Saturday, said three ways. Listen for who’s deciding:
Cumartesi çalışmalısın.— You should work on Saturday — that’s my advice.
Cumartesi çalışman gerekiyor.— You need to work on Saturday — the job needs it.
Cumartesi çalışmak zorundasın.— You have to work on Saturday — there’s no choice.
And three “no”s that mean three different things. Learn them against one picture: a cup of coffee on the table.
Bu kahveyi içmemelisin.— You mustn’t drink this coffee (it’s cold, it’s someone else’s).
Bu kahveyi içmene gerek yok.— There’s no need for you to drink this coffee (I’ll make fresh).
Bu kahveyi içmek zorunda değilsin.— You don’t have to drink this coffee (don’t like it, don’t drink it).
When in doubt: -malı for advice, gerek for what the job needs, zorunda for a rule. Get it wrong and you’ll still be understood — in everyday talk the lines between them blur. The one line that never blurs is between “mustn’t” and “don’t have to”.
7Türkiye up close: Mimar Sinan — apprentice, journeyman, master
Lesson 23 had the ladder of a trade: çırak, the apprentice, kalfa, the journeyman, usta, the master. The most famous man who climbed all of it is the architect Sinan — in Turkish just Mimar Sinan, “Sinan the architect”. Mimar is an Arabic word, and TDK’s dictionary defines it in a way that fits today’s lesson: someone who designs buildings to set measures and rules.
A kubbe is a dome. A great dome over smaller ones: that’s the Süleymaniye from afar.
He became the Ottoman Empire’s chief architect after 1537 and stayed in the post until he died in 1588 — half a century, under three sultans: Süleyman, Selim II and Murad III. How much he built, nobody knows exactly: the TDV Encyclopedia of Islam says the sources of his day add up to a list of 452 buildings, while handbooks usually say around 350.
And here’s how he measured his own road. The Şehzade Mosque in İstanbul, finished in 1548, he called çıraklık eserim, “my apprentice piece”. The Süleymaniye, seven years in the building and finished in 1557, was kalfalık eserim, “my journeyman piece”. That’s the building you can still see from far off, over the Golden Horn. Eser is “a work”, eserim “my work”, and çıraklık and kalfalık are Lesson 23’s rungs as stages of a life: apprenticeship, journeymanship.
His master piece was the Selimiye Mosque in Edirne. When it was finished, TDV says, Sinan was eighty-three and already called Koca — “old”, “great”: in Turkish it’s one word. In 2011 UNESCO added the Selimiye to the World Heritage List, and its decision says it is a masterpiece of the creative genius of the architect Sinan, the most famous of all Ottoman architects.
He’s buried beside his “journeyman piece”, in a small plot by the Süleymaniye. And kalfa, by the way, has a second meaning in TDK’s dictionary: “an architect’s assistant”. So Kerem, on his first day at the office today, is a kalfa in the truest sense.
8Dialogue: first day at the office
Eight in the morning at the office. Kerem is the first one in — nearly. Defne’s already here, and Zehra Hanım is on her way. Listen to how many times one morning can say “must” — and in how many ways.
An ahşap ev, a wooden house. The upper floor juts out over the street, the way old İstanbul built.
Kerem:
Günaydın! Ben Kerem. Bugün ilk günüm.
Good morning! I’m Kerem. It’s my first day.
Defne:
Günaydın, hoş geldin! Ben Defne. Kahve ister misin?
Morning, welcome! I’m Defne. Would you like a coffee?
Kerem:
Teşekkürler, isterim. Saat sekiz… Erken mi geldim?
Thanks, I would. It’s eight… Am I early?
Defne:
Biraz! Burada sekizde gelmek zorunda değilsin. Mesai esnek: sekizde de gelebilirsin, onda da.
A bit! You don’t have to be in at eight here. The hours are flexible: come at eight, or at ten.
Kerem:
Harika. Peki, ne yapmalıyım? Kurallar var mı?
Great. So what should I do? Are there rules?
Defne:
Üç kural var. Bir: kartını her zaman takmalısın. Kartın olmadan binaya giremezsin.
Three rules. One: always wear your pass. You can’t get into the building without it.
Kerem:
Tamam. İki?
Got it. Two?
Defne:
İki: toplantılara geç kalmamalısın. Zehra Hanım her şeyi affeder, geç kalmayı affetmez.
Two: don’t be late for meetings. Zehra Hanım forgives everything except lateness.
Kerem:
Üç?
Three?
Defne:
Üç: kahve makinesine bak. Boş mu? O zaman yeni kahveyi sen yapmalısın.
Three: look at the coffee machine. Empty? Then you’re the one who makes the next pot.
Kerem:
Bu en zor kural!
That’s the hardest rule!
Zehra:
Günaydın. Kerem Bey, aramıza hoş geldiniz.
Good morning. Kerem Bey, welcome to the team.
Kerem:
Hoş bulduk, Zehra Hanım. Teşekkür ederim.
Thank you, Zehra Hanım. It’s good to be here.
Zehra:
İlk işiniz hazır. Üsküdar’da çok eski bir ahşap ev var. Yüz elli yaşında.
Your first job’s ready for you. There’s a very old wooden house in Üsküdar. A hundred and fifty years old.
Kerem:
Ne yapmamız gerekiyor?
What do we need to do?
Zehra:
Ev sahibi yeni bir mutfak ve sokak tarafında büyük bir pencere istiyor.
The owner wants a new kitchen and a big window on the street side.
Kerem:
Mutfak kolay. Pencere neden zor?
The kitchen’s easy. Why is the window hard?
Zehra:
Ev tescilli. Cepheyi değiştirmemeliyiz. Cephede bir şey değiştirmek için kurulun izni gerek. Kurul da büyük bir pencereye izin vermez.
The house is listed. We mustn’t change the façade. To change anything on the façade we need the board’s permission. And the board won’t allow a big window.
Kerem:
Yani ev sahibine “hayır” demek zorundayız.
So we have to tell the owner “no”.
Zehra:
Evet. Ama sadece “hayır” dememeliyiz. Ona başka bir yol göstermeliyiz.
Yes. But we mustn’t just say “no”. We should show him another way.
Kerem:
Mesela?
Such as?
Zehra:
Mesela bahçe tarafında bir pencere. Bahçe tarafını sokaktan kimse görmüyor.
Say, a window on the garden side. Nobody can see the garden side from the street.
Kerem:
Yarın evi görmeye gidebilir miyim?
May I go and see the house tomorrow?
Zehra:
Gitmelisiniz. Ama evde işçiler çalışıyor. Baret takmak zorundasınız.
You should. But there are workmen in the house. You’ll have to wear a hard hat.
Kerem:
Baretim yok…
I haven’t got a hard hat…
Defne:
Merak etme, dolapta on tane var. Ama dördüncü kural: bareti geri getirmen lazım. Geçen ay iki baret kaybettik.
Don’t worry, there are ten in the cupboard. But rule four: you need to bring the hard hat back. Last month we lost two.
Kerem:
Kim kaybetti?
Who lost them?
Defne:
… Ben.
… Me.
Zehra:
Defne Hanım, o baretleri bulmamız gerekecek.
Defne Hanım, we’re going to need to find those hard hats.
Defne:
Mecburen.
Nothing for it.
Count the “musts”: takmalısın and kalmamalısın are rules Defne thinks are right; zorunda değilsin is freedom; zorundayız and zorundasınız are things out of their hands; gerekiyor, gerek, lazım and gerekecek are what the job needs. Notice the politeness too? Kerem and Defne say sen to each other, Zehra Hanım says siz to him, and at the end even Defne becomes Defne Hanım — the boss is not pleased. Tescilli is “listed”, from tescil and Lesson 12’s -li; a kurul is a board — here the conservation board, without whose say nobody touches an old house.
9Reading
A week after Kerem’s first day, a magazine interviewed Zehra Hanım. The magazine’s questions are the lines without a dash, her answers the ones with. Read it as you would a paper: the whole thing first, and open a translation only where you’re stuck.
Eski evlerin doktoru
An interview: what to do with an old house its owner wants to pull down.
Zehra Hanım bir mimar. Ama yeni binalar yapmıyor. Eski binaları koruyor.
Zehra Hanım is an architect. But she doesn’t put up new buildings. She looks after old ones.
Geçen hafta bir dergi onunla bir röportaj yaptı.
Last week a magazine interviewed her.
Zehra Hanım, işinizi nasıl anlatırsınız?
Zehra Hanım, how would you describe your work?
— Ben eski evlerin doktoruyum. Bir doktor gibi önce dinlemeliyim, sonra bakmalıyım. Acele etmemeliyim.
“I’m a doctor for old houses. Like a doctor, I have to listen first, then examine. I mustn’t rush.”
En güzel hikâyeniz hangisi?
What’s your best story?
— Yirmi yıl önce bir ev sahibi büroma geldi. Boğaz’da yüz yaşında bir ahşap evi vardı.
“Twenty years ago an owner came to my office. He had a hundred-year-old wooden house on the Bosphorus.”
— “Bu ev çok eski. Yıkmak istiyorum. Yerine bir apartman yapacağım,” dedi.
“‘This house is very old. I want to pull it down. I’m going to build a block of flats in its place,’ he said.”
— Ben de “Yıkmamalısınız. Önce evi görmem lazım,” dedim.
“And I said, ‘You mustn’t pull it down. First I need to see the house.’”
— Ev gerçekten çok kötüydü. Çatıda delikler vardı, merdivenler kırıktı.
“The house really was in a bad way. There were holes in the roof, the stairs were broken.”
— Bir odada tavana baktım. Tavanda sıva vardı. Ama bir köşede, sıvanın altında, renkler vardı.
“In one room I looked up at the ceiling. It was plastered over. But in one corner, under the plaster, there was colour.”
— Sıvayı yavaş yavaş temizledik. Altından kalem işi bir tavan çıktı: çiçekler, kuşlar, yıldızlar.
“Bit by bit we cleaned the plaster off. And underneath was a painted ceiling: flowers, birds, stars.”
Ev sahibi ne dedi?
What did the owner say?
— Hiçbir şey demedi. Yarım saat tavana baktı. Sonra “Bu evi yıkmamalıyız,” dedi.
“He didn’t say a word. He looked at the ceiling for half an hour. Then he said, ‘We mustn’t pull this house down.’”
— Restorasyon iki yıl sürdü. Kurulun iznini sekiz ay beklemek zorunda kaldık.
“The restoration took two years. We had to wait eight months for the board’s permission.”
— Ev sahibi her hafta bana telefon etti: “İzin geldi mi?”
“The owner rang me every week: ‘Has the permission come?’”
Şimdi o evde kim yaşıyor?
Who lives in the house now?
— Onun torunu. Geçen ay beni çaya çağırdı. Tavanın altında oturup çay içtik.
“His granddaughter. Last month she invited me round for tea. We sat under that ceiling and drank tea.”
Eski bir eviniz var mı? O zaman Zehra Hanım’ın üç kuralı var.
Have you got an old house? Then Zehra Hanım has three rules for you.
— Bir: yıkmadan önce bir mimara sormalısınız. İki: sabırlı olmalısınız. Üç: tavana bakmalısınız!
“One: before you pull anything down, ask an architect. Two: be patient. Three: look at the ceiling!”
Kalem işi is literally “pen work”: hand painting on plaster or wood, the kind old houses often had on their ceilings. Sıva is plaster, yıkmak to pull down, yerine “in its place” — yer with a possessive and the dative, like Lesson 9’s masanın altına. And did you notice the owner go from yıkmak istiyorum to yıkmamalıyız? At the start it’s what he wants; at the end, it’s his duty. And it’s “we”: the house has become his business too.
1What did the owner want to do at first?
2What was under the plaster?
3Why did the restoration take so long?
10The lesson’s new words
These are the words the lesson brought in for the first time. The -malı forms aren’t here — they’re in the first sections; gerek, lazım, kural, toplantı, işçi and kalfa you know from Course 1.
Out loud first, then the answer. Half of these are the lesson’s main trap: “mustn’t” or “don’t have to”. Missing here does you more good than guessing right — that’s how it sticks.
what should I do?
Ne yapmalıyım?
you mustn’t be late
Geç kalmamalısın.
you don’t have to come at eight
Sekizde gelmek zorunda değilsin.
the bus didn’t come, so we ended up walking
Otobüs gelmedi, yürümek zorunda kaldık.
I need to come in early tomorrow
Yarın erken gelmem gerekiyor.
we should have left earlier
Daha erken çıkmalıydık.
12Check yourself
Six items. A miss shows you the right answer straight away, and why.
1Match each picture to its word.
2Fill in the right form: “We should show him another way.”
Ona başka bir yol?
3“You don’t have to drink this coffee” is…
4Fill in the right form: “I mustn’t be late for the meeting.”
Toplantıya geç?
5Otobüs gelmedi, yürümek zorunda kaldık means…
6Which mosque did Sinan call kalfalık eserim?
13Homework
From now on the homework includes writing: short texts in your own words. Write them by hand or in your phone’s notes, then read them aloud — the ear finds the mistakes the eye let through.
Say çalışmak out loud in -malı — six persons, then negative, then the question: çalışmalıyım, çalışmamalıyım, çalışmalı mıyım?
Three “no”s about yourself: something you mustn’t do (-mamalıyım), something there’s no need for (gerek yok) and something you don’t have to do (zorunda değilim) this week. One sentence each.
Think of a day when everything went wrong. What did you end up having to do (zorunda kaldım), and what should you have done (-malıydım)?
Write the rules for a new colleague — at your work, your studies or at home: six to eight sentences with -malısın, -mamalısın, zorunda değilsin and gerekiyor. Start the way Defne did: Üç kural var…
Is there an old building in your town that ought to be looked after? Write five or six sentences about it: what it’s like, what mustn’t be done to it and what needs doing.